1.       Introduction – The New Media and the Body Transformation In the age of new technologies, the question arises whether new media can bring something new to contemporary fashion? The

Abstract The subject I want to address is today’s relationship between aesthetics and ethics. Both disciplines deal with courses of action, even if different ones, and reflect on such behaviours.

I. The arguments that follow are situated within a larger project entitled "Critique of Algorithmic Rationality." That project, drawing deliberately from Immanuel Kant, is an attempt to move beyond the

The paper analyzes the performative-conceptual turn in contemporary art, starting from the idea of two bodies and two worlds – life and artificial or aesthetic – in the media-created reality.

 Long live the new flesh! David Cronenberg, Videodrome 1. Beyond a fashion? “Elle est contemporaine de tout le monde” In a world without the metaphysical foundation of beauty and reign

Observing the works of art selected for the exhibition East of Eden by the participating artists from their existing artistic production with the intention of providing the theme with a

SUMMARY: Modernism radically breaks its ties with the linear mimetic-representational way of presenting the image of the divine found in myth and religion as the idea of beauty and sublimity.

Abstract: The thesis I argue in my text through three separate planes of discussion is that mimesis (μίμησις) cannot for Nancy be reduced to mere imitation of an already always

ABSTRACT The most significant notion of Benjamin's thinking in the path of a particular refinement of style surely represents the concept of aura. From this notion, the basic meta-aesthetic experience of the

Unique film(s) produced by software random editing 1999/2021- 6’54 min, b/w, sound Shot, pre-edited and directed by Dalibor Martinis                                                                          Software development by Mihael Giba                                                                                                 Production: Omnimedia Year of production:

This text was first published as Chapter 14. of the edited volume The Iconology of Abstraction: Non-figurative images and the modern world (Krešimir Purgar, ed.),  published by Routledge in 2020,

The following article is an introduction of the book The Iconology of Abstraction – Non–figurative Images and the modern world (ed. by Krešimir Purgar, Routledge, New York and London, 2020). Although we

At the beginning of one chapter in his capital work Arcades Project Walter Benjamin under the letter K in the section on dreams talks about the Copernican turn of historical

1. The arriving – art as the vibration of chaos If we remove the tone of the vatic dimension of speech and the tone of the apocalyptic in speech about

Introduction One thing that this discussion will attempt is to show the path towards the technosphere as a new discourse in the aesthetics of the age of digital currents. In

Abstract: In the article author attempt to articulate three paradigms of contemporary Art theory today: (1) The repoliticization of art as a kind of new discoursive power; (2) The re-aestheticisation

You hardly know yourself. This person with whom you spend every night and day. This person who can surprise you more than anyone in so many unexpected ways. With actions

AMBIGUITY OF THE IMAGE It is not always easy to decide whether something is an image or not. Some objects are imageswithout revealing themselves as such, while others are not

1. Introduction: Architecture, Truth, and the Visual One of the striking features of much architectural discourse, at least from the perspective of an outsider, is its apparent tendency to prioritize

From Transamerica to Pollock and back The problematics of the body certainly cannot be referred to as an exclusive theme of contemporary visual arts, since they are as old as

         My films are more formulated like questions... states Claire Denis in an interview.[1] This assertion is actually the best possible depiction of her work. Although her films are known

The article deals with the question of the possibility of a new interpretation of Picasso’s picture entitled Crucifixion, which was created in the context of the art paradigm shift in

“We live in hell,” said Pasolini in an interview recorded several hours before his death. We can take it in the Flusserian sense of world and life in it turning

Essays Translated by Edward Dennis Goy and Jasna Levinger THE ARTIST'S WORKSHOP The artist is a master. As such he is often addressed. Such an address, linked as it is

Funny spectre ‘It’s such a scary movie. The film shows how it is still alive.’This was a comment made by one of the Croatian spectators after the projection of the

Paul Klee, Angelus Novus* Abstract: : Owing to the interpretation of Walter Benjamin, Paul Klee’s paint- ing Angelus Novus has become the paradigmatic work of modern art. Its mystery is

Masculin Feminin In  Jean-Luc  Godard’s  Masculin’-Feminin’  (1966),  a  film  made  up of »15 precise actions«, as its subtitle asserts, the actor Jean-Pierre Léaud, who plays the budding writer Paul, waits

Abstract Since technology transformed itself into something uncanny what determines human civilization from modern times, nature has already transformed into a pure technological creation. The time of contemporary art corresponds

In our present time, one feels somewhat embarrassed when speaking or writing of immortality, in particular the immortality of the individual. You feel you have to explain how on earth

Abstract This thesis does not explore what body is, but what a body can become. It explores the body as event-in-making throughout the concepts such as Body without Organs (Artaud,

Abstract The essay addresses the manifold relationships between art and research under the perspective of the arts’ own way of thinking, separating artistic knowledge-production from science. While in science ‘research’

Jeff Malpas ...the real storytellers and artists are places In spite of the evident attention given to the composition of sound in his films –he has, after all, worked closely